Sunday, May 31, 2015

Beyond Travel

Someone told me travelling is often like fishing. There is a fine line of difference between real fishing and standing on the shore with a fishing-rod. Being a Bong I could not hold back and ventured out with my cone of favourite spicy assorted Jhaalmuri.

Creepers, Grape Vine, Apple Orchards, Mountains & exuberant children play in them laughing with exhilaration. Gaudy Ornate flowers have laden Shikaras, beautiful damsels sparkle with colourful jewellery, the wide expanse of the horizon ends where the sun melts into the Dal Lake. On top of a small hill, I surrender myself to Nature as the clouds embrace me. Far from the picture created by the media of volcanic terrorism and angry militants, I see a different Kashmir –a soul charming Kashmir. Life in India amuses you..

I jump into a bullock cart. As it passes through the golden bright yellow mustard fields of the Punjab I taste my first Lohri. Along the villages, the kids, the aged and the grownups go round me telling their own story and belief why they toss sugar candies and sesame seeds into bonfire at sunset. I stood motionless as a statue wondering how a simple harvest could bring so many reasons to celebrate, so much joy to cheer about. I learnt, it’s not “simple” when its harvest. Life in India, for sure, amuses you..

Colourful colours are splashed all over! Yes I don’t get a better way to describe Vibrant Gujarat. Every corner of the state exudes warmth and welcome.
Bandhani dyed dupattas fly in the air with million colours woven into them. Dandiya sticks snap the deal, when hands clap in garba.


Merriment seems to be in the air, merriment seems to be in the soul. I take a gulp and ask them how easy it was to start life afresh after the deadly earthquakes and the riots. I remember a small boy telling me with a smile on his face, ‘though memories continue to haunt, and will do so forever, the celebrations must go on, for them to be thankful to what that still have after the loss’. The sadness in his eyes reflects the tragedy they had been through, but the colours tend to disguise it away for a moment. I asked his name, but I pause here now, for, we search unnecessary dimensions in a name. Life in India really amuses you..

Puppets and giggling women watching them, bright turban bearers sitting around to talk – this creates my first impression of Rajasthan. Grand Havelis, Panihari songs and Geer still boast of a unique grandeur and Royal heritage. They tell excerpts of an amusing story how they see the worst of sukha and how cheerfully they celebrate Teej believing in the rituals to welcome the monsoons and a drop of water for life. Life in India cannot but thrill you.

The slums of Kolkata look like doll houses even today. The sounds of the Conch Shells as they call it Sankhs reverberate and together with the dhaks announce the advent of the Rio Carnival of the Eastern Hemisphere. I marvel at the idol of Maa Durga, a Hindu idol almost brought to life by a Muslim sculptor. People decked up in new dress, forgetting pains and sorrows, line up for hours to have a glance of their God they mostly believe to be their Mother. Life in India surprises you.

As my train started from Kolkata, with a packet of Jhaalmuri in my hand I reminisce and get awestruck marvelling over mankind and its untold emotions. My train turns South towards Bangalore and I embark on another journey to discover a whole new world – to meet people and unearth things so near to me yet so far away. Really, a Handful of Jhaalmuri always amuses you.


Travel story by Sandipan Bhattacharjee for Jhaalmuri Boisakhi





Jhaalmuri 

Friday, May 29, 2015

নদী


মাপা দুঃখ, চাপা কান্না
না বলা গোপন কিছু ব্যথা;
চাপা পরে রইল নদীর নিচে
আমার মৃতদেহের বুকে
আজও রয়েছে না বলা কথা!

নদীর বুকে পা ডুবিয়ে কখনো
যদি ভাবিস আমার সেই স্পর্শ, কথা,
যদি আমার পাশে আসিস
শবদেহ হয়ে,
সেদিন মৃত্যু বলবে কথা

আমরা হারাবো না ঢেউয়ের সাথে
মুছে যাব না স্মৃতির বেরা জালে
আর ততদিন,
আমি অপেক্ষা করব, নদীর কোলে

Poem by +Nabanita Dutta for Jhaalmuri Boisakhi





Jhaalmuri 

মন খারাপের দিস্তা




কাল সকাল থেকেই আকাশটা মুখ ভার করে আছে. আর এরই সাথে পাল্লা দিয়ে চলছে আমার মেজাজটাও। এমনি দিনগুলোর জীবনযাত্রা তথা কর্মব্যস্ততা এই লড়াইতে ততোটা ইন্ধন জোগাতে পারেনা, কিন্তু বাড়ি থেকে প্রায় ১৭০০০ মাইল দূরে এখানে আমার অফুরন্ত সময়, চিন্তা ভাবনা আর বিশ্লেষণের। আর এই জিনিস টাই উস্কে দিয়ে যায় স্মৃতির অগোছালো আলমারিটাকে।

       আচ্ছা তোদের মনে পড়ে সেই কলেজ স্ট্রীটের ধেনোর সরবতের দোকানটার কথা , যেখানে আমরা সামান্য বরফের টুকরো ছোঁড়াছুড়ি মাধ্যমে কৈশোরের উত্তাপ নিতাম, আর ধেনো ওই প্রচন্ড গরমে হাসিমুখে আমাদের তেষ্টা মিটিয়ে যেত দিনের পর দিন। শুনেছি শেষ সময়ে ওর মুখে জল দেওয়ারও কেউ ছিল না।

      মনে পড়ছে ওই বরফ ছোড়া গ্রুপের অভীককে. হাসি খুশি ছেলেটা সাহস জুগিয়েছিল সেই স্কুলের ছাদে বসে সিগারেট ধরানোর। সেই দিন যেন, স্কুলের ছাদের ওই সিঁড়িটাতেই একটা ছোটখাটো বিপ্লব ঘটে গিয়েছিল। অবাক লাগে যখন শুনি অভীকের সেই সাহস নাকি জীবনের গতির কাছে নতি স্বীকার করে। আমার কিন্তু আজও ওই অভীকের দেখানো সাহস টুকুই সম্বল! 

     সিগারেটের কথা থেকেই অমুর একটা ডায়লগ মনে পরে গেল! ও বলত কলেজে পড়ার সময় ৪ বন্ধু মিলে ১টা সিগারেটে কাউন্টারে খেতে হত। কিন্তু তাতে একটা প্রাণের স্পর্শ ছিল। আজ ১প্যাকেট সিগারেট কেনার ক্ষমতা আছে সবার, কিন্তু সময়টা নেই ৪ বন্ধুর একসাথে হওয়ার! সেই অমুর কবিতার হাতটা ছিল দারুন। কলেজের অনেক মেয়েই পাগল ছিল ওর কবিতার। দক্ষিন ভারতে ভালো চাকরির অফার পেয়ে যেদিন ও চলে গেল, খুব দুঃখ হয়েছিল। আসলে ও ছিল আমার প্রতি সন্ধ্যের উল্টোডাঙ্গা ফুটব্রিজের সঙ্গী। দুটো লেবু  চা আর ২-৩টে ফ্লেক দিয়ে অনায়াসে কেটে যেত আমাদের ৩-৪ ঘন্টা। তারপর দীর্ঘ সময় কেটে গেছে নিজ নিজ জীবনের ব্যস্ততায়। খুব দেখতে ইচ্ছে করে অমুকে। ও কলকাতায় এলে এখনো কি উল্টোডাঙ্গার ফুটব্রিজটায় আসে কখনো? অপেক্ষা করে আমার জন্য?

   লাল্টুদার দোকানের একটা মস্ত বড় ভূমিকা ছিল আমাদের সেই তারুন্যে। বলশেভিক থেকে ৯/১১, সৌরভ থেকে চ্যাপেল, আবার বাম- ডান রাজনীতি আমাদের সব আলোচনার-ই সাক্ষী ওই দোকান। ভাড়ের চা আর সিগারেট-এ উঠত বিতর্কের তুফান। প্রেম নিবেদনের গুরুত্বপূর্ণ টিপস, আবার ব্যর্থ প্রেমিককে সান্ত্বনা প্রদান সব-ই পাওয়া যেত. লাল্টুদা ছিল নির্বাক শ্রোতা। আমাদের মধ্যে কোনদিন কেউ প্রয়োজন বোধ করিনি লাল্টুদার বক্তব্য শোনার। বাতাসে উড়ন্ত লোভনীয় টিপস গুলো একটাও বোধহয় কাজে আসেনি লাল্টুদার! ওই দোকান টা আজ আর নেই! তুলে দিয়েছে কলেজ কর্তৃপক্ষ। ওখানে কলেজের ঝা চকচকে ক্যান্টিন হবে! যার তলায় চাপা পড়ে থাকবে কিছু তরুনের হৃদয়ের স্পন্দন।
     
    হৃদয় মানেই তো কিছু না বলা কথা, কিছু না শোনা শব্দ! জীবন বিজ্ঞান ক্লাসের সেই চশমা পরা মেয়েটি! মনে হয়েছিলো  ও কিছু বলতে চেয়েছিল আমায়! আমিও কিছু বলতে চেয়েছিলাম হয়ত। কিন্তু গল্পের নির্দিষ্ট প্রথা মেনেই কেউই আর কাউকে কিছু বলে উঠতে পারিনি। আবার ধর প্রেসিডেন্সি-র মেয়েটি, কত সুন্দর সময়, কত স্বপ্ন, কত রাস্তা চেনা, কত রাত জাগা, ফোন কল-এ। অথচ হঠাৎ-ই কেমন অচেনা, অগোছালো করে দিয়ে গেল। নিরুত্তর কিছু প্রশ্ন রেখে দিয়ে গেল বাস্তবের বুক চিরে!! আমার খুব ভালো লাগত জানিস ওই পরন্ত বিকেলে কফি হাউস এর সামনেটায় লুকিয়ে লুকিয়ে ওর কৌতুহলী, বুদ্ধিদীপ্ত চাহনি টার আস্বাদন নিতে। আমার খুব ভালো লাগত যখন বাড়ি ফেরার ভাড়া টা দিয়ে দুজনে মিলে এক গ্লাস সরবতে ভবিষ্যতের স্বপ্নের জাল বুনতাম, আর তারপর কিছু অবাস্তব কল্পনায় মেতে উঠে মৌলালি থেকে হেটে বাড়ি ফিরতাম। আমার আজও খুব জানতে ইচ্ছে করে, ওর সেই কৌতুহলী চোখ কি আর কফি হাউসের সামনে দাড়ালে একবারের জন্যও আমায় খুজবে? 

     বাবার বন্ধুর মেয়েকেও মনে পড়ছে ভীষণ, যাকে সেই হাত ধরে সাইকেল শিখিয়েছিলাম, রোজ বিকেলে ছাদে দাড়িয়ে অপেক্ষা করেছিলাম, একটি বার পাশের বারান্দায় যদি দেখা পাওয়া যায় এই ভেবে! ওইই প্রথম আমায় শিখিয়েছিল অসুর্য্যম্পশ্যারূপা কথাটির মানে। রোজ সকালে ওর জলে ভেজা মুখটা , কপালের চুল থেকে নেমে আশা জলবিন্দু গুলো, যার উপর সূর্যের প্রথম রশ্মিটা পড়ে একটা স্বর্গীয় সৌন্দর্যের ছটায় ভরিয়ে দিত আমার মনের উঠোন টা, আর তারপর? তারপর আমার দিকে তাকিয়ে একটা মলিন হাসি। আচ্ছা মেয়েটি কি কোনো একটা মুহুর্তের জন্যও আমার কথা ভেবেছিল? জানিনা, কোনদিন জানতে পারবনা।

    আসলে ব্যাপারগুলো বোধহয় মেট্রো-র সেই ঘোষিকার মতন! যার সুমধুর কন্ঠস্বর আমাদের নিত্যসঙ্গী কিন্তু তার পরিচয় টা সারাজীবন অধরাই থেকে যাবে। ডাক্তার বলেছে আমার যে আর ৬ মাস. এখানেও কেনোর কোনো উত্তর নেই! আসলে এই উত্তর গুলো পেয়ে গেলে হয়তো জীবনটা উদ্দেশ্যহীন, অর্থহীন হয়ে পড়ত!

Story by +Nirabhra Ghosh for Jhaalmuri Boisakhi




Jhaalmuri 

Wednesday, May 27, 2015

মন

মন কেমনের সকাল সন্ধ্যা
মন কেমনের বিকেল
‘মনটি ভালো’র রোদ আকাশে
মন কেমনের নিকেল
মন কেমনের হঠাৎ হাওয়া
মন কেমনের শিশির
‘মনটি ভালো’র রঙিন জামায়
মন কেমনের নিশি
মন কেমনের বুকপকেটে
‘মনটি ভালো’র  উঁকি
মন কেমনের মনের ভেতর
‘মনটি ভালো’র টুকি
‘মনটি ভালো’, ‘মনটি ভালো’
মন কেমন আর কই?
মন কেমনের গভীর জলে
মন-টি ভালো সই!

Poetry by +Anamitra Ray for Jhaalmuri Boisakhi





Jhaalmuri 

Monday, May 18, 2015

ডাকনাম


কেউ কি ডেকেছিলো আমায় ঘুমের ভেতরে 
ভুলে যাওয়া ডাকনাম ধরে ,
কেউ কি রেখেছিল হাত, হাতের উপরে 
আজও সেই ছোঁয়াটুকু রয়ে গেছে বুকের গভীরে। 

পুরনো দিনের স্মৃতি যত, ভুলে যাওয়া কবিতার মতো ,
মনের গভীরে ডুবে আছে ----
হাতড়ে হাতড়ে ফিরি, আবছা যে কলি গুলি ,
অস্ফুটে মনের মাঝে বাজে, চলতে ফিরতে সব কাজে। 

আমার এখন শীতবেলা -
শেষ হয়ে গেছে ধুলো মুঠি খেলা। 

আরো কুড়ি বছরের পরে 
যদি দেখা হয় তার সাথে ,
ধান কাটা শেষ হওয়া হেমন্তের মাঠে 
তখন কি ডাকবে আমায় ডাকনাম ধরে ,


সব উত্তর লেখা আছে , রাতচরা তারাদের নীলাভ অক্ষরে 

Poem by Krishna Dutta for Jhaalmuri Boisakhi





Jhaalmuri 

Sunday, May 17, 2015

হঠাৎ দেখা

নিবিড়, হঠাৎই আজ তোমার সাথে দেখা
ব্যস্ত ভিড়ে হঠাৎই খুঁজে পাওয়া নিস্তরঙ্গ  শান্তি।
নিবিড়, তোমার কবিতার খাতাটা এখনো আছে?
পাতার পর পাতা কবিতা লেখা আমার নাম ধরে।
নিবিড়, তোমার চুলে পাক ধরেছে, চশমার কাঁচ ভারী
তোমার হাতে লেখা প্রথম চিঠি এখনো আমার ব্যাগে।
নিবিড়, দুদণ্ড তোমার গায়ের গন্ধ পাই
আমার নিঃশ্বাস জুড়ে তুমি।
নিবিড়, আমার ঘুম আসে না রাতে
তোমার স্বপ্ন চোখ জুড়ে নামে।
নিবিড়, আরও একটা জন্মের পরে
তোমার সাথে দেখা হবে আলোকবর্ষ দূরে।


Poem by +Debarati Bhattacharjee for Jhaalmuri Boisakhi





Jhaalmuri 

Friday, May 15, 2015

The Strange Camera



“I am aware of your genius, Prashanta. We desperately need your help to get this case solved. Otherwise the career of some of us will  be affected,” said the detective chief. 

The scientist sat silently for a couple of minutes before opening his mouth. “Okay, Tanmoy-da, please send me all the papers and photographs related to this case, and let me go through these. Then only I will be able to say something.” “Fair enough, you will get all the papers by this afternoon.” Tanmoy-da left.

We had Sunday lunch together, me and Prashanta Babu. He took a fat scientific book and went to his studies, requesting me to stay so that he had company when the papers reach him. I gladly agreed and took a nap in his sitting room sofa where I slept many a day. I came out of the siesta by a sharp ringing of the calling bell. Two burly looking constables were asking Narahari where to keep the two locked trunks holding all the materials related to Sushila murder case. They insisted to pass the keys only to Prof Prashanta Bose and took his signature on a ledger. For the next few days, Prashanta Babu was not available; he was very busy studying the contents of those trunks. While waiting for a call from him, I tried to pass my time, doing some writing. I do write about our adventures in my diary.

The call came after around 5-6 days. Prashanta Babu asked me to reach his home quickly. When I reached there; he was excited, his eyes were shining. I realized he had done something to solve the Sushila murder case. I have learned to wait patiently. Allowed sufficient time, Prashanta Bose always came up with the solution. “Do you remember Kamalesh Babu, before Tanmoy-da came that day, you were reading an article in the magazine on a murder mystery in Delhi?” he asked and I nodded. 
“A teen-aged girl was stabbed to death at her room when her parents were present at home. But it appeared they did not know anything. Now, if there were a camera – be it still or video – recording the murder, there would have been no mystery. Unfortunately, there was no camera there. Now, suppose if we had a camera to photograph past incidents….”
“You mean,” I almost stammered, “a camera which will take photos not in real time, but of the past…?”
“That‟s precisely what I mean. And if we have such a camera, Tanmoy-da’s problem will be solved too.”
“But... but…”
“I have done it,” Muttered Prashanta Bose and I clearly saw his eyes lit up. Flabbergasted, I knew it was best to keep quiet and allow him to speak.
“Lots of claim had been made about some paranormal connectivity of Kirlian photography and Auras and other related issues,” he continued, “But I have nothing to do with Kirlian photography. I had taken a cue from this to lift photography to another dimension where photographing the past could be possible  and these cases could be solved.”

No doubt I had misgivings about such a possibility, though our long association has taught me to never underestimate the genius of Prof. Prashanta Bose. I had seen and sometimes used his inventions like teleporting machine and telescope (which actually looked like a simple binocular) to watch objects many light-years away. “Have I ever told you anything about Negative Time, Kamalesh Babu,” he asked. “No.” I kept my reply short to hear his extraordinary theory quicker.

I seldom initiate talks like this with Prashanta Babu. I knew that making scientific gadgets was his passion. Though he is a Theoretical Physicist, he is always thinking of how to make new things, to make the world a better place, and by his sheer out-of-the-world brilliance, he has developed machines which could have won him the Noble Prize, but he would never part with the details of these. This low profile scientist was very shy in this respect. Money or fame, nothing attracted him. He already has enough inherited money.

Prashanta Babu lowered the book on his lap unmindfully and looked straight through the open window. He was thinking something deeply. Normally when he was in such deep thoughts, he stopped talking, except some occasional murmur to himself or some unconnected questions to me, if I happened to be present.

Expecting a reply, I was watching him. Attired in his usual white half shirt and trousers, his look belies his genius. He is of average height, has slightly fair complexion. You can make out that the person has some extraordinary intelligence by looking at his deep shining eyes. A couple of minutes passed and I understood he was too deep in his thoughts to answer my question and again picked up the magazine and found an article on a mysterious murder in New Delhi which had puzzled even the CBI sleuths. They were able neither to find any clue nor motive. I started reading the article. After sometime when I cast a glance to the scientist, his vision was then fixed on the wall clock.I have seen in my life, that when some event has to occur, some higher force of life does create the right ambience and also the right set of events.

The detective chief of Kolkata Police, Tanmoy Mukherjee, turned up at the very moment. He was one of the few who knew about the extra-ordinary capability of my scientist friend. I came to know him through Prashanta Babu who had helped him earlier in solving some cases. Tanmoy-da looked quite perturbed and did not start talking till he finished two cups of tea and a plate of prawn pakora. Then he said: “Prashanta, I think you know the Bajaj families of Ballygunge. They are a big industrial house and very rich.” I had read something about the family in the newspaper. “There was a murder in the family recently, wasn‟t it?” I asked and Tanmoy-da nodded.

Prashanta Babu kept silent as he is not very knowledgeable, socially. He asked the detective chief what was the problem with them. Tanmoy-da narrated the problem: Two months back, Mr. Bajaj‟s youngest son, Sunil, got married to Sushila, and within one week, she was found dead in a room adjacent to her bed-room. Due to the short span between the wedding and the murder, the police had arrested Sunil but could not prove anything. He was out on bail. After investigation, the police virtually ruled out any wrong-doing by Sunil or his family. The rich and influential family of Sushila was exerting pressure on the police to solve the case fast. But the detective department had nothing in their hands to proceed. Tanmoy-da finished his story and asked for another cup of tea. 

“Hum,” said Prashanta Babu, “So what is the theory which your detective force has come up with?” Tanmoy-da said, “The postmortem and viscera tests failed to provide us any concrete evidence of how she died. It appeared she had a glass of soft drink, shortly before she died. We had pinned our hopes on the remains of soft drink in the glass. We examined it and found nothing in it. Her finger prints were there on the glass. But we are sure she did not die of natural causes. Oh, we have photos of the body and the room, and everyone present in the house at the time of her death. That‟s all.” “What do you want me to do, Tanmoy-da?” asked Prashanta Babu. “I am a man of science and solving crime-mystery is not exactly my cup of tea.”

Prashanta Babu explained that his theory relied on the fact, that if we could capture a photograph in time which is “NOW", it should be possible to take some photographs of the same entity a little earlier in time. And this could be continued going gradually back in time. “That means, if one takes photographic shots of an entity and keeps taking similar shots in the past, let us say, for an hour, then one can see a series of shots of that entity, for the last one hour. “I've extended this theory. Suppose I have a photograph of a person which was taken two months ago. Now I can go back clicking photos of that person for every second backwards for many hours from the moment when the original photo was taken,” the scientist paused to take a glass of water. I started getting the drift of his thought. “How would you look at a picture which is two month old and keep taking photos backwards?”

He smiled. “I was expecting this question. I have not been sitting idle for a week. Do you see this instrument?” he said and pointed to a small machine on a table. A PC type monitor with a keyboard. At its one side was another thing which looked like a scanner. It was attached to the machine. On the other side of the monitor was a camera which was also wired to the machine. It looked pretty ordinary. And I was not impressed, though I knew all his extra-ordinary instruments looked pretty ordinary.

“What is this?” I asked. “This is the machine to take photos of the past,” he said. “Narahari, please bring me that photo from my study. Come; let‟s have a chair in front of the machine. Sorry, I have not yet given it a name.”


We took our seats in front of the table with the unnamed machine. Prof Bose’s fingers played on the keyboard and a photo of mine appeared on the screen. He had taken this photo by his digital camera about a month back in his drawing room after we had dinner. Prashanta Babu said, “We will have to know the exact time when this photo was taken. Now all digital photos have EXIF data embedded in the image which could be read by various softwares. EXIF data gives you, among many other details, the time when the photo was taken. In this case, your photo was taken on Monday, December 14, 2009, 9:57:36 PM. You are reclining on the sofa. Now Kamalesh Babu, can you tell me what you were doing three minutes before this time?” “ No. Can you show me?” My interest had gone up manifolds after seeing my own photo in the machine.
Prashanta Babu smiled and brought out another photo on the screen. I was stunned to see myself putting down a cup of coffee. This photo was not taken by anybody. I can remember now that at that time Prashanta Babu had gone to his study to bring the camera.
“B-u-t how?”
“I used your photo to check whether the machine was working correctly. It was. See, we will feed the machine with all the coordinates of the photo, time as well as three-dimensional positional ones. It is somewhat akin to how GPS or Global Positioning System works.” He keyed in some figures in several boxes that appeared in the screen. “Now, we need a photo of you three minutes behind the moment your photo was taken by me with a camera. Here I give 180
seconds… and click the camera.”
He clicked the camera and the photo of me lowering the cup reappeared. I lost the capacity to speak. “We can also use a printed photograph like this one.” He picked up a 6”X4” print of the digital image of me sitting on the sofa. Narahari had brought it from the study.
“We have to use this scanner type machine for printed photographs. See, I place this photo on this and…” he keyed in something and the photo appeared on the monitor. “ You have to put a photograph here, the one which you want to track, back in time. And through this computer you have to feed in the Time Coordinates. That means, you have to feed in the exact time when the photograph was taken and you have also to feed the machine with the three-dimensional coordinate of the place, where the photo was taken. The more accurate the time given, the more accurate the past photos would be.”
“Then…”
“That is the next interesting part,” Prashanta Bose added. “You see this camera, this is very special. I have invented it. What you do is to take photographic shots with this special camera, but you can take shots in negative time; meaning you can take photographs of events related to this photograph in the past.”
“Supposing we agree that we can take photographs of past events, related to a particular time. But what do we do with those frames?” “You see, once we feed in a photograph’s all coordinates, time as well as three dimensional positional ones, I can keep taking photographs of the past. I can go back one month, minute by minute, second by second and then build up a photo-history of that person’s immediate past for one month.”
I finally saw light and stood stupefied. That means Tanmoy-da could solve the mystery of the Sushila murder case and the CBI the Delhi girl‟s murder mystery.
“Can a video be made this way?” I asked.
“Why not? Series of still photos taken in a short interval, say five seconds, could be easily converted to a video. It would not be very smooth flowing, but would be workable,” he said. 

I would like to skip the details of the murder-mystery solving. It did get solved the next day. Tanmoy-da and another person from the law department were called. All details of the last photograph of Sushila were fed in and then Prashanta Babu started taking photographs of the past events at one minute interval and during some specific moments at shorter intervals. It became clear that Sushila was murdered by a very senior ex-employee of the Bajajs. He was very close to this family and was a regular visitor to the Bajaj home. He was earlier working with Sunil’s father and was holding a high position in the accounts division. Later he left Bajaj to start his own business. He was good in doing work for others but was very bad in doing things on his own. So he started sinking rapidly and to stave off the disaster, he needed huge amount of money. This man knew Sushila’s parents also. He thought he would squeeze Sushila, an easy target, and get a good amount of money. He had failed miserably as Sushila did not give in and threatened to expose him. So he laced Sushila’s soft drink with some poison which did not keep any trace, when nobody was around.

Prashanta Babu made Tanmoy-da and his assistant take oath so that they would not reveal any detail of his invention. This film document was produced in the court as evidence and was declared as output of a surveillance camera. The court accepted that and the killer was awarded life imprisonment.

As a token of gesture, the detective department presented Prashanta Babu a very good quality camera. Prashanta Bose separated the parts of his camera and associated “Negative Time Device” as it could pose danger if it fell in wrong hands. He also encrypted his documents on the “Negative Time” for the same reason.
After everything was settled and I was with my scientist friend, I asked him what I had been thinking for sometime. “Prashanta Babu, can photos of the future be taken?”
Prashanta Babu smiled. “I am thinking of the same thing.” 



Story by +Sugata Sanyal for Jhaalmuri Boisakhi




Jhaalmuri 
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